Major Pentatonic Licks for Guitar
The major pentatonic scale is a wonderful, simple way to add colour to your blues playing. It is a warm contrast to the minor pentatonic/blues scale and is often used right next to the minor pentatonic to suddenly ‘lift’ a solo into a happier, major territory. In this lesson you will master it’s unique sound and learn some great major pentatonic licks for guitar.
The best thing about the major pentatonic scale is that it uses exactly the same shapes as the minor pentatonic scale, but the shapes are simply shifted down 3 frets. For example, compare the following:
One of the easiest ways to play A major pentatonic lines is to simply move your Minor pentatonic lines down 3 frets. You have to be a little careful sometimes, but if you let your ear guide you then you won’t go far wrong in your practice. For example, try the following figure over a blues backing track in A:
This is exactly the same pentatonic lick played twice, the second time it is shifted down 3 semitones to create the major pentatonic sound.
While the Major and Minor pentatonic scales may look the same on paper, they are very different sounding scales. In fact the Major pentatonic has more in common with the Mixolydian mode than the Minor pentatonic. If we compare and contrast these two scales, you will see the similarities clearly:
If you remove the notes on the 8th fret on the 5th and 6th strings, you will see that they are the same scale. The major pentatonic scale is like a stripped down Mixolydian mode.
While it is a handy trick to be able to shift your minor pentatonic lines down 3 frets, it is obviously important to be able to see the major pentatonic scale as an entity in its own right.
The major pentatonic scale sounds fantastic over a dominant or major style blues, but it doesn’t work so well over a minor blues. It is used a lot in country music and for all those ‘Hendrixy’ double stops as you will see in the following 5 examples.
As with the Mixolydian mode, major pentatonic scales are freely combined with the blues scale for a rich flavour.
A Major Pentatonic Licks for Guitar
Here are five, ‘shape 1′ major pentatonic licks for guitar. Visualise them around the following chord shape:
Author - Joseph Alexander
Joseph has written twelve books for guitar students, and has sold over 30,000 books worldwide Fundamental Changes in Jazz Guitar I: The Major ii V I for Bebop Guitar Minor ii V Mastery for Jazz Guitar Drop 2 Chord Voicings for Jazz and Modern Guitar The CAGED System and 100 Licks for Blues Guitar The Complete…Author profile
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Since purchasing Joseph’s Book 1 of the Complete Guide to Playing Blues Guitar, I’ve gained a much deeper understanding of the options available to me when playing the blues. He writes clearly and methodically, giving just enough information on each topic so that I can confidently integrate new techniques and expand my playing knowledge.
The book provides alternative approaches to each method to drive home the idea that you the player should experiment and find what works best in different situations based on your preference. Clear explanations of different chord voicings and rhythm options have really opened up the palette of sounds to choose from, and I look forward to continuing the series.